Jamieson Fausset Brown Commentary - Ezekiel 28:13 - 28:13

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Jamieson Fausset Brown Commentary - Ezekiel 28:13 - 28:13


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This Chapter Verse Commentaries:

in Eden - The king of Tyre is represented in his former high state (contrasted with his subsequent downfall), under images drawn from the primeval man in Eden, the type of humanity in its most Godlike form.

garden of God - the model of ideal loveliness (Eze 31:8, Eze 31:9; Eze 36:35). In the person of the king of Tyre a new trial was made of humanity with the greatest earthly advantages. But as in the case of Adam, the good gifts of God were only turned into ministers to pride and self.

every precious stone - so in Eden (Gen 2:12), “gold, bdellium, and the onyx stone.” So the king of Tyre was arrayed in jewel-bespangled robes after the fashion of Oriental monarchs. The nine precious stones here mentioned answer to nine of the twelve (representing the twelve tribes) in the high priest’s breastplate (Exo 39:10-13; Rev 21:14, Rev 21:19-21). Of the four rows of three in each, the third is omitted in the Hebrew, but is supplied in the Septuagint. In this, too, there is an ulterior reference to Antichrist, who is blasphemously to arrogate the office of our divine High Priest (Zec 6:13).

tabrets - tambourines.

pipes - literally, “holes” in musical pipes or flutes.

created - that is, in the day of thine accession to the throne. Tambourines and all the marks of joy were ready prepared for thee (“in thee,” that is, “with and for thee”). Thou hadst not, like others, to work thy way to the throne through arduous struggles. No sooner created than, like Adam, thou wast surrounded with the gratifications of Eden. Fairbairn, for “pipes,” translates, “females” (having reference to Gen 1:27), that is, musician-women. Maurer explains the Hebrew not as to music, but as to the setting and mounting of the gems previously mentioned.