Keil and Delitzsch Commentary - Psalms 104:19 - 104:19

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Keil and Delitzsch Commentary - Psalms 104:19 - 104:19


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The fifth decastich, in which the poet passes over from the third to the fourth day, shows that he has the order of the days of creation before his mind. The moon is mentioned first of all, because the poet wishes to make the picture of the day follow that of the night. He describes it in Psa 104:19 as the calendarial principal star. מֹֽועֲדִים are points and divisions of time (epochs), and the principal measurer of these for civil and ecclesiastical life is the moon (cf. Sir. 43:7, ἀπὸ σελήνης σημεῖον ἑορτῆς), just as the sun, knowing when he is to set, is the infallible measurer of the day. In Psa 104:20 the description, which throughout is drawn in the presence of God in His honour, passes over into direct address: jussives (תָּשֶׁת, וִיהִי) stand in the hypothetical protasis and in its apodosis (EW. §357, b). It depends upon God's willing only, and it is night, and the wakeful life of the wild beasts begins to be astir. The young lions then roar after their prey, and flagitaturi sunt a Deo cibum suum. The infinitive with Lamed is an elliptical expression of a conjugatio periphrastica (vid., on Hab 1:17), and becomes a varying expression of the future in general in the later language in approximation to the Aramaic. The roar of the lions and their going forth in quest of prey is an asking of God which He Himself has implanted in their nature. With the rising of the sun the aspect of things becomes very different. שֶׁמֶשׁ is feminine here, where the poet drops the personification (cf. Psa 19:1-14). The day which dawns with sunrise is the time for man. Both as to matter and style, Psa 104:21 call to mind Job 24:5; Job 37:8; Job 38:40.