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Commentary Index | Return to PrayerRequest.comKeil and Delitzsch Commentary - Psalms 18:10 - 18:10
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(Heb.: 18:11-13) The storm, announcing the approaching outburst of the thunderstorm, was also the forerunner of the Avenger and Deliverer. If we compare Psa 18:11 with Psa 104:3, it is natural to regard כְּרוּב as a transposition of רְכוּב (a chariot, Ew. §153, a). But assuming a relationship between the biblical Cherub and (according to Ctesias) the Indo-Persian griffin, the word (from the Zend grab, garew, garefsh, to seize) signifies a creature seizing and holding irrecoverably fast whatever it seizes upon; perhaps in Semitic language the strong creature, from כָּרַב = Arab. krb, torquere, constringere, whence mukrab, tight, strong). It is a passive form like גְּבוּל, יְסֻד, לְבוּשׁ. The cherubim are mentioned in Gen 3:24 as the guards of Paradise (this alone is enough to refute the interpretation recently revived in the Evang. Kirchen-Zeit., 1866, No. 46, that they are a symbol of the unity of the living One, כרוב = כְּרֹוב “like a multitude!”), and elsewhere, as it were, as the living mighty rampart and vehicle of the approach of the inaccessible majesty of God; and they are not merely in general the medium of God's personal presence in the world, but more especially of the present of God as turning the fiery side of His doxa towards the world. As in the Prometheus of Aeschylus, Oceanus comes flying τὸν πτερυγωκῆ τόνδ ̓ οἰωνόν γνώμῃ στομίων ἄτερ εὐθύνων, so in the present passage Jahve rides upon the cherub, of which the heathenish griffin is a distortion; or, if by a comparison of passages like Psa 104:3; Isa 66:15, we understand David according to Ezekiel, He rides upon the cherub as upon His living throne-chariot (מֶרְכָּבָה). The throne floats upon the cherubim, and this cherub-throne flies upon the wings of the wind; or, as we can also say: the cherub is the celestial spirit working in this vehicle formed of the spirit-like elements. The Manager of the chariot is Himself hidden behind the thick thunder-clouds. יָשֶׁת is an aorist without the consecutive ו (cf. יַךְ Hos 6:1). חֹשֶׁךְ is the accusative of the object to it; and the accusative of the predicate is doubled: His covering, His pavilion round about Him. In Job 36:29 also the thunder-clouds are called God's סֻכָּה, and also in Psa 97:2 they are סְבִיבָיו, concealing Him on all sides and announcing only His presence when He is wroth. In Psa 18:12 the accusative of the object, חֹשֶׁךְ, is expanded into “darkness of waters,” i.e., swelling with waters
(Note: Rab Dimi, B. Taanîth 10a, for the elucidation of the passage quotes a Palestine proverb: נהור ענני זעירין מוהי חשׁוך ענני סגיין מוהי i.e., if the clouds are transparent they will yield but little water, if they are dark they will yield a quantity.)
and billows of thick vapour, thick, and therefore dark, masses (עָב in its primary meaning of denseness, or a thicket, Exo 19:9, cf. Jer 4:29) of שְׁחָקִים, which is here a poetical name for fleecy clouds. The dispersion and discharge, according to Psa 18:13, proceeded from נֹגַהּ גֶגְדֹּו. Such is the expression for the doxa of God as being a mirroring forth of His nature, as it were, over against Him, as being therefore His brightness, or the reflection of His glory. The doxa is fire and light. On this occasion the forces of wrath issue from it, and therefore it is the fiery forces: heavy and destructive hail (cf. Exo 9:23., Isa 30:30) and fiery glowing coals, i.e., flashing and kindling lightning. The object עָבָיו stands first, because the idea of clouds, behind which, according to Psa 18:11, the doxa in concealed, is prominently connected with the doxa. It might be rendered: before His brightness His clouds turn into hail..., a rendering which would be more in accordance with the structure of the stichs, and is possible according to Ges. §138, rem. 2. Nevertheless, in connection with the combination of עבר with clouds, the idea of breaking through (Lam 3:44) is very natural. If עביו is removed, then עברו signifies “thence came forth hail...” But the mention of the clouds as the medium, is both natural and appropriate.