Keil and Delitzsch Commentary - Psalms 24:7 - 24:7

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Keil and Delitzsch Commentary - Psalms 24:7 - 24:7


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The festal procession has now arrived above at the gates of the citadel of Zion. These are called פִּתְחֵי עֹולָם, doors of eternity (not “of the world” as Luther renders it contrary to the Old Testament usage of the language) either as doors which pious faith hopes will last for ever, as Hupfeld and Hitzig explain it, understanding them, in opposition to the inscription of the Psalm, to be the gates of Solomon's Temple; or, what seems to us much more appropriate in the mouth of those who are now standing before the gates, as the portals dating back into the hoary ages of the past (עֹולָם as e.g., in Gen 49:26; Isa 58:12), the time of the Jebusites, and even of Melchizedek, though which the King of Glory, whose whole being and acts is glory, is now about to enter. It is the gates of the citadel of Zion, to which the cry is addressed, to expand themselves in a manner worthy of the Lord who is about to enter, for whom they are too low and too strait. Rejoicing at the great honour, thus conferred upon them, they are to raise their heads (Job 10:15; Zec 2:4), i.e., lift up their portals (lintels); the doors of antiquity are to open high and wide.

(Note: On the Munach instead of Metheg in וְהִנָּשִׂיאוּ, vid., Baer's Accentsystem vii. 2.)

Then the question echoes back to the festal procession from Zion's gates which are wont only to admit mighty lords: who, then (זֶה giving vividness to the question, Ges. §122, 2), is this King of Glory; and they describe Him more minutely: it is the Hero-god, by whom Israel has wrested this Zion from the Jebusites with the sword, and by whom he has always been victorious in time past. The adjectival climactic form עִזּוּז (like לִמּוּד, with ı̆ instead of the ă in חַנּוּן, קַשּׁוּב) is only found in one other passage, viz., Isa 43:17. גִּבֹּור מִלְחָמָה refers back to Exo 15:3. Thus then shall the gates raise their heads and the ancient doors lift themselves, i.e., open high and wide; and this is expressed here by Kal instead of Niph. (נָשָׂא to lift one's self up, rise, as in Nah 1:5; Hos 13:1; Hab 1:3), according to the well-known order in which recurring verses and refrain-like repetitions move gently onwards. The gates of Zion ask once more, yet now no longer hesitatingly, but in order to hear more in praise of the great King. It is now the enquiry seeking fuller information; and the heaping up of the pronouns (as in Jer 30:21, cf. Psa 46:7; Est 7:5) expresses its urgency (quis tandem, ecquisnam). The answer runs, “Jahve Tsebaoth, He is the King of Glory (now making His entry).” צְבָאֹות ה is the proper name of Jahve as King, which had become His customary name in the time of the kings of Israel. צְבָאֹות is a genitive governed by ה and, while it is otherwise found only in reference to human hosts, in this combination it gains, of itself, the reference to the angels and the stars, which are called צְבָאָיו in Psa 103:21; Psa 148:2 : Jahve's hosts consisting of celestial heroes, Joe 2:11, and of stars standing on the plain of the havens as it were in battle array, Isa 40:26 -a reference for which experiences and utterances like those recorded in Gen 32:2., Deu 33:2; Jdg 5:20, have prepared the way. It is, therefore, the Ruler commanding innumerable and invincible super-terrestrial powers, who desires admission. The gates are silent and open wide; and Jahve, sitting enthroned above the Cherubim of the sacred Ark, enters into Zion.