Keil and Delitzsch Commentary - Psalms 72:12 - 72:12

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Keil and Delitzsch Commentary - Psalms 72:12 - 72:12


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The confirmation of these prospects is now given. Voluntative forms are intermingled because the prospect extending into the future is nevertheless more lyrical than prophetic in its character. The elevation of the king to the dominion of the world is the reward of his condescension; he shows himself to be the helper and protecting lord of the poor and the oppressed, who are the especial object upon which God's eye is set. He looks upon it as his task to deal most sympathizingly and most considerately (יָחֹס) just with those of reduced circumstances and with the poor, and their blood is precious in his eyes. Psa 72:12 is re-echoed in Job 29:12. The meaning of Psa 72:14 is the same as Psa 116:15. Instead of יֵקַר, by a retention of the Jod of the stem it is written יֵיקַר. Just as in Psa 49:10, ייקר here also is followed by וִיחִי. The assertion is individualized: and he (who was threatened with death) shall live (voluntative, having reference to the will of the king). But who is now the subject to וְיִתֶּן-? Not the rescued one (Hitzig), for after the foregoing designations (Psa 72:11.) we cannot expect to find “the gold of Sheba” (gold from Jeman or Aethiopia) in his possession. Therefore it is the king, and in fact Solomon, of whom the disposal of the gold of Sheba (Saba) is characteristic. The king's thought and endeavour are directed to this, that the poor man who has almost fallen a victim shall live or revive, and not only will he maintain his cause, he will also bestow gifts upon him with a liberal hand, and he (the poor one who has been rescued and endowed from the riches of the king) shall pray unceasingly for him (the king) and bless him at all times. The poor one is he who is restored to life and endowed with gifts, and who intercedes and blesses; the king, however, is the beneficent giver. It is left for the reader to supply the right subjects in thought to the separate verbs. That clearly marked precision which we require in rhetorical recital is alien to the Oriental style (vid., my Geschichte der jüdischen Poesie, S. 189). Maurer and Hofmann also give the same interpretation as we have done.