Keil and Delitzsch Commentary - Song of Solomon 5:3 - 5:3

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Keil and Delitzsch Commentary - Song of Solomon 5:3 - 5:3


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This Chapter Verse Commentaries:

3 I have put off my dress,

How shall I put it on again?

I have washed my feet,

How shall I defile them again?

She now lies unclothed in bed. כֻּתֹּנֶת is the χιτών worn next to the body, from כתן, linen (diff. from the Arab. ḳuṭun, cotton, whence French coton, calico = cotton-stuff). She had already washed her feet, from which it is supposed that she had throughout the day walked barefooted, - how (אֵיכָכָה, how? both times with the tone on the penult.;

(Note: That it has the tone on the penult., like כָּכָה, e.g., Son 5:9, is in conformity with the paragog. nature of .ה The tone, however, when the following word in close connection begins with ,א goes to the ult., Est 7:6. That this does not occur in איך אל, is explained from the circumstance that the word has the disjunctive Tifcha. But why not in איך אט? I think it is for the sake of the rhythm. Pinsker, Einl. p. 184, seeks to change the accentuation in order that the penult. accent might be on the second איך, but that is not necessary. Cf. Psa 137:7.)

cf. אְיכָה, where ? Son 1:7) should she again put on her dress, which she had already put off and laid aside (פָּשַׁט)? why should she soil (אֲטַנְּפֵם, relating to the fem. רַגְלַי, for אטנפֵן) again her feet, that had been washed clean? Shulamith is here brought back to the customs as well as to the home of her earlier rural life; but although she should thus have been enabled to reach a deeper and more lively consciousness of the grace of the king, who stoops to an equality with her, yet she does not meet his love with an equal requital. She is unwilling for his sake to put herself to trouble, or to do that which is disagreeable to her. It cannot be thought that such an interview actually took place; and yet what she here dreamed had not only inward reality, but also full reality. For in a dream, that which is natural to us or that which belongs to our very constitution becomes manifest, and much that is kept down during our waking hours by the power of the will, by a sense of propriety, and by the activities of life, comes to light during sleep; for fancy then stirs up the ground of our nature and brings it forth in dreams, and thus exposes us to ourselves in such a way as oftentimes, when we waken, to make us ashamed and alarmed. Thus it was with Shulamith. In the dream it was inwardly manifest that she had lost her first love. She relates it with sorrow; for scarcely had she rejected him with these unworthy deceitful pretences when she comes to herself again.