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McClintock Biblical Encyclopedia: Band
Subjects in this Topic:
the representative of several Hebrews and Gr. words, and in the N.T. especially of
óðåῖñá
, a COHORT SEE COHORT (q- v.).
Band
a part of clerical dress, said to be a relic of the ancient amice (q.v.). It belongs to the full dress of the bar and university in England. “In Scotland it distinguishes ordained ministers from licentiates or probationers, and is said to be a remnant of the old cravat worn universally by the clergy a hundred years ago.” — (Eadie.) It is worn in the Church of England, in the Protestant Episcopal Church in America, and by the Protestant ministers of the Continental churches of Europe generally. SEE CLERGY, Dress of the.
Band
(figuratively used). Government and laws are bands that restrain from sin and draw into the path of righteousness (Psa_2:3; Jer_5:5). Slavery, distress, fears, and perplexity are called bands because they restrain liberty, and create irritation (Lev_26:13; Eze_34:27; Psalm 28:22). Sinful customs or meretricious allurements are bands; they enslave, weaken, degrade, and embitter the soul; they are fetters that at first may seem soft as silk, but are found at last to be stronger than iron (Isa_58:6; Ecc_7:26). The wicked often “have no bands in their death;” that is, they frequently die without any peculiar distress, fear, or perplexity, such as might be expected to stamp their real character and condition on the verge of their future woe (Psa_73:4; Ecc_7:15; Ecc_9:2). Faith and love are bands which unite and fasten every believer to Christ, and to the whole body of his holy people (Col_2:19). The authority, arguments, instances, and influence of divine love, because they draw and engage us to follow the Lord in a way suited to our rational nature, are generally supposed to be intended in Hos_11:4 by “the bands of a man.”
Band
in architecture, is a flat face or fascia, a square moulding, or a continuous tablet or series of ornaments, etc., encircling a building or continued along a wall. Bands of panelling on the outer surface of the wall are very usual in rich work of the Perpendicular style, especially on the lower part of a tower, and” sometimes higher up between the stories also, as in the rich Somersetshire towers, and in Northamptonshire and Oxfordshire, and, indeed, wherever rich churches of this style are found. This kind of ornament is, however, used in the earlier styles also, though less frequently. See also a good illustration from Yelvertoft Church under SEE PERPENDICULAR STYLE.
Band is also a name for the moulding or suite of mouldings which encircles the pillars and small shafts in Gothic architecture, the use of which was most prevalent in the Early English style. Bands of this description are not unfrequently met with in very late Norman work, but they show that it is verging towards the succeeding style; they are also occasionally to be found in early Decorated work. When the shafts are long they are often encircled by several bands at equal distances apart between the cap and base. SEE TABLET.